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The Lindeman-Sobel Approach to Artistic Wind Performance is an integrated musical approach that seeks to unite fingers, air stream (or bow) and rhythm relative to the notes on the page and the length of tube you are blowing through (or the length of string you are vibrating). The Lindeman-Sobel Approach was pioneered by Henry Lindeman (July 28, 1902 – March 7, 1961), an American woodwind player and member of the Paul Whiteman Orchestra, and expanded by Phil Sobel (May 13, 1917 – September 14, 2008), first chair woodwind with the NBC staff orchestra, leader of the West Coast Saxophone Quartet and a student of Henry Lindeman from 1935 to1946.〔 ''Los Angeles Times.'' (10/1/2008) "Philip Sobel Obituary"〕〔Kyle, Robert (Jan/Feb 2001). "Getting intimate with the sax and Phil Sobel" "The Saxophone Journal" (Vol 25, number 3)〕 ==Summary== According to the Lindeman-Sobel Approach music is sound in motion and that sound is created when the air stream (or bow) meets the fingers. The Lindeman-Sobel Approach seeks to create an awareness in the individual of how their sound is being played rhythmically relative to the resistance of the tube length and the notes on the page. 抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Lindeman-Sobel approach to artistic wind performance」の詳細全文を読む スポンサード リンク
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